Indigenous arts

Like the rest of the world, Alberta is navigating a new reality brought by a pandemic that is changing public life and re-shaping our economy. Organizations in the arts, culture, sports, recreation, tourism and hospitality sectors, all which rely on live, group experiences, are grappling with new challenges. Organizations need to be prepared for a change in audience behaviour. The question is what that will look like, now and over the coming months.

The Alberta Foundation for the Arts is pleased to be a funding partner in this collaboration with Stone-Olafson and other community leaders to develop a long-term research investigation and evaluate how current conditions will reshape Albertans’ attitudes and behaviours towards social and group activities, across a variety of sectors. The purpose of this work is to give leaders of community sports, recreation, arts and culture, professional sports, active living, heritage, tourism or hospitality sectors relevant facts about local audiences that they will need to bring life back to our communities.

The initiative is being funded by: 

• ActiveCITY Collective
• Alberta Foundation for the Arts 
• Angus Reid
• ATB
• Calgary Arts Development 
• Calgary Foundation
• Edmonton Arts Council
• Edmonton Community Foundation
• Rozsa Foundation
• Stone-Olafson
• Travel Alberta

​This research is being conducted in six waves over the course of the next year with the first wave of results (based on surveys conducted between May 21 and June 2, 2020) now available.

This is a community resource that is FREE to access and results from the first wave of research are now available.

Download the reports:

• Alberta Report
• Calgary Report
• Edmonton Report

You can subscribe to receive notifications when the new reports are available by visiting stone-olafson.com. 

Join the AFA in recognizing its 30th Anniversary and the annual Month of the Artist by celebrating our local artists and arts organizations. Get to know Robin Cisek, singer/songwriter.  

Robin Cisek is a singer/ songwriter who creates melodic and moody, alternative pop with introspective and vulnerable lyrics. Jump to her bio below. As of June 2021, new music from her most recent album, Delicate Minds, is available now on her website or via Spotify.

We had an opportunity ask Robin about her music, her artistic practice, and about being an artist in Alberta...

Tell us about your music practice

I typically have a very fluid process when it comes to songwriting. In the past, I have scratched entire songs and then started over to create something I love.

When I am writing, I like leaving room in my songs to be creative. The recording studio can be a fantastic place to be spontaneous and come up with new ideas and having too rigid of a song structure often closes you off to the possibilities.

I like to connect my songwriting to my own experiences, I have taken inspiration with my experiences with health problems, my own mental health and relationships of mine or of people around me. It is important to me to create songs that talk about important things that connect people through common feelings thoughts and emotions.

^{Album cover for Robin Cisek's Delicate Minds}

My latest album, Delicate Minds, is about all different aspects of mental health which I view as a universal subject. I think everyone can relate to having anxiety, having a bad mental health day or experiencing trauma in their lives and we need to talk about it more often to normalize it.

What is it like to be an artist working in Alberta?

Being a pop artist in a western province has sometimes created challenges. My genre of music doesn't typically fit with what people expect to hear at live concerts.

On the other hand, and many people may not know this, but in Alberta, especially Edmonton where I am located, there is a beautiful, vibrant community of artists and musicians! There are so many people who I've met, worked beside, collaborated with and watched grow that are so incredibly talented and unique.

It's been really cool to be involved in this community!

^{Robin in studio with her producers}

You recently posted on Instagram about successes from the past year. Can you tell us about a few highlights?

I've definitely been feeling extremely blessed with the new album I've released. It's been really cool to see so many people relate to the things I talk about in my music. The music and the topics within the songs have been very well received, and I have had opportunities that I could have never expected. It's been a huge step in my career as a musician.

The Alberta Foundation for the Arts has provided me with an Individual Project Grant that has allowed me to capitalize on my music's success and create more opportunities for my career. Through their support in marketing and promoting my project, I've been able to share my music and my personal message about mental health with new people.

This summer, I've had more streams than ever before and it has opened doors to sync licensing, radio charts, performance opportunities and so much more! I am also super excited to be attending a program from Canada's Music Incubator as one of 7 chosen to be part of APTN and RBC's Indigenous Music Accelerator. I know it will be an amazing opportunity to progress my career and learn from some amazing mentors.

Currently, I'm working on new music and looking to get back in the studio soon! I received an Individual Micro-grant from Alberta Music which is supporting my next single!

The last year has offered little opportunity for live, in-person performance. How have you adjusted during the pandemic?

The pandemic has been especially challenging for all artists and musicians, and has really challenged me to get creative! I've had to rely on different tools like social media, livestreaming, YouTube and other outlets to progress my career.

^{Robin performing in Edmonton in 2019 at the Northern Alberta Jubiliee Auditiorium}

I've been very fortunate to land performance opportunities both online and socially distanced when restrictions allowed for it. This year, my live shows are something I have been looking to improve on. I just want to give people a really great show especially when people are stuck inside and missing that human interaction! I've been investing in my live show and practicing my craft, and I can't wait for the next chance to perform!

For me, this year has been about adapting and talking about the real things that are affecting all of us, like our mental health. On the negative side, I wish I could perform live more and I wish I could have gone out, networked, and had a chance to pound the pavement for my debut album.

On the positive side, it's allowed me to take the time to reconnect with myself creatively, hone my craft and improve what I'm working on. I'm excited for what is to come!

What’s the most important thing Albertans can do to support local artists in Alberta?

One of the most important things that Albertans can do is to support local artists on social media.

By liking, following, sharing, streaming and commenting on posts, videos, music etc. you are helping our music get out there and giving positive feedback that lets us know we are supported. It only takes a moment of your time, doesn't cost anything, and helps our content reach new listeners who may support us too!

During the pandemic, when we aren't allowed to go out, play live and hustle our merch and CDs, social media is one of the only ways we are able to reach people and share what we do. If you have the funds to do so, consider purchasing some merch or CDs from an artist you love, hiring them for a socially distanced or live streamed concert, or even giving a donation or tip!

Finally, and perhaps a little controversially, the ultimate way for you to support local musicians is to make sure they're getting treated and paid fairly. We as artists have costs to cover, being a musician is a challenging career choice and, even though it is appreciated, we can't make a living and continue to make music on exposure alone.

Often I see musicians playing free shows and receiving no compensation for their time on stage, the hours of practice before, and the equipment they use. I think this is something that needs to change in the music industry. All musicians and artists appreciate it when people support them and work to make sure that they recieve fair pay for their effort, skill and time.

So next time you see someone playing live music, throw a 5'er into the guitar case or make sure your organization has a budget to compensate or present an honorarium to an artist or musician!

Robin Cisek bio

Robin uses her soulful and highly stylized vocals to create mysterious and dramatic narratives that are captivating and powerful. Robin’s inspiration comes from her own experiences and her Indigenous heritage.

Robin is emerging professional artist and released her first commercial song at the end of 2017, and then another in 2018. Robin’s single, “Waiting on You” claimed the #1 spot on an Indigenous International Radio chart and remained on the countdown for 24 weeks.

With her Freshman album, released in June 2021, Robin shows her dedication to creating music that has a profound meaning while being melodic, catchy and listenable. Through her new music she will be discussing the deep meanings and emotional aspects of mental health while infusing her lyrics and sound with hopefulness and a positive outlook on the future.

How will you take part in art and support artists? Share your experiences through social media by tagging the AFA and using the hashtag #TakePartInArt.

This research is being conducted in six waves over the course of the next year. This is a community resource that is FREE to access and results from the third wave of research are now available. 

Findings for Alberta organizations from Wave 3 results include:

• Community attitudes on comfort are becoming entrenched.
• Risk tolerance provides a richer understanding of how Albertans will approach engagement.
• Right now audiences indicate they need to hear experiences will be safe and fun.
• Capitalize on desire for shared experiences but with a focus on innovation and intimacy.
• The intersection of cohorts, shared experiences, and risk tolerance means audiences will engage, but appear to be doing so with their cohorts in mind - "will this put my friends/family at risk?". 

What are the implications for Alberta organizations?

• Comfort with conditions and other people has dampened willingness to actually engage in their usual activities. It is likely this variable is an additional barrier impacting final consideration of participating in activities.
• The benefits you offer and the messaging you broadcast must overcome that broader interpretation of risk. Whereas risk used to be overcome simply by appealing to the motivations of the individual, now we will have to assuage safety/health concerns that impact the people around the individual (i.e. safety measures are not just for you; they are for those around you.)
• Knowing who you can reach, what to offer them and what to say will be critical as organizations plan how to engage audiences in the coming months.
• Right now audiences indicate they need to hear the experiences they will have are safe and fun. This is critical for building confidence and organizations need to reinforce those dual messages of safety/comfort with enjoyment. The weight of each type of message will vary depending on how risk tolerant the audience is.
• Audiences need to hear they will be able to have the desired shared experiences but that the experience is safe (for them and their cohort). To balance those needs of social, safety, and fun, organizations will need to develop and continuously reinvent (often many times over) the types of small group offerings that deliver this.
• Opportunities exist for organizations in the experience economy to engage Albertans by balancing the notion of cohorts with shared experiences. Show them how to engage with their entire cohort or at least show the activity will not put their cohort at risk.

Download the reports:

• Alberta Report
• Calgary Report 
• Edmonton Report

You can subscribe to receive notifications when the new reports are available by visiting stone-olafson.com. 

About the project

The Alberta Foundation for the Arts is pleased to be a funding partner in this collaboration with Stone-Olafson and other community leaders to develop a long-term research investigation and evaluate how current conditions will reshape Albertans’ attitudes and behaviours towards social and group activities, across a variety of sectors. The purpose of this work is to give leaders of community sports, recreation, arts and culture, professional sports, active living, heritage, tourism or hospitality sectors relevant facts about local audiences that they will need to bring life back to our communities.

The initiative is being funded by: 

• ActiveCITY Collective
• Alberta Foundation for the Arts 
• Angus Reid
• ATB
• Calgary Arts Development 
• Calgary Foundation
• Edmonton Arts Council
• Edmonton Community Foundation
• Rozsa Foundation
• Stone-Olafson
• Travel Alberta

On September 29, 2022, we marked the 50th Anniversary of the AFA Art Collection. As part of the celebrations, we are sharing snippets from the history of the collection. 
Learn more about the celebrations! 

By Larissa Hauck, former Art Collections Officer, and Kristin Stoesz, Art Collections Registrar

How often do you imagine AFA staff will discover an unknown collection of Alberta art while out on assignment? Well, it’s happened at least once!

The AFA's Art Placement Program began in 1976 as a way to ensure Albertans have the opportunity to enjoy the collection and enhance public spaces in government offices and buildings, and nonprofit organizations. The AFA currently has more than 100 Art Placement Program loans throughout Alberta.

The discovery

In July 2015, AFA Art Placement staff travelled to the downtown Edmonton office of the Government of Alberta's former Public Affairs Bureau to remove all of the artwork on loan in preparation for their move to the Edmonton Federal Building (now officially known as the Queen Elizabeth II Building).

As staff removed artwork from the walls and wrapped the works to prepare for shipping, they discovered a unique collection of 25 artworks that were not part of the AFA Art Collection, nor any of Alberta's other 14 provincial art collections.

Carole Bondaroff, Rosebud, 1985, etching on paper

It was almost too good to be true! With early artworks by prominent Albertan artists such as Dr. Joane Cardinal-Schubert and Carol Bondaroff, it seemed like a lost cultural treasure had been discovered. 

As AFA staff pondered over these new discoveries a few questions came to mind like:

• where did this art come from?
• why was it created?
• how did it end up in the Public Affairs Bureau?

Each of the artworks had envelopes secured to the back that held a fragment of information about the artist and artwork. It was apparent that the research into this collection had only just begun...

The mystery unravels...

It turned out that these artworks were owned by the Public Affairs Bureau, which originally commissioned them for the Alberta Pavilion at the 1986 World Exposition on Transportation and Communication in Vancouver. Upon completion of the event, the artworks were relocated to Edmonton.

Expo 86 Scan

AFA staff suggested the possibility of a transfer of these artworks to the AFA Art Collection. The works were well-suited for both art placement and exhibition programming, and they reflected the history of the Government of Alberta’s involvement in Expo 1986.

Both parties agreed that the artworks would benefit from being transferred to the AFA as it would:

• increase public access to the works 
• promote Alberta artists
• ensure proper care through the AFA’s maintenance and conservation programs.

The transfer was completed in March 2016. The artworks are a valuable addition to the AFA collection as they address gaps in representation of artwork from sections of the Alberta visual arts community.

The artists

In addition to Cardinal-Schubert and Bondaroff, the 25 artworks included work by Albertan artists Ken Christopher, Amy Loewan, Helen Mackie, Irene McCaugherty, Stan Phelps and Jim Stokes.

Dr. Joane Cardinal-Schubert

Among the artworks, AFA staff discovered six oil pastel on paper drawings by Dr. Joane Cardinal-Schubert.

Cardinal-Schubert was a highly regarded member of the visual arts community, not only as an artist working in variety of visual mediums, but also as a poet, lecturer, activist, and advocate for First Nations People. In 1994, she was awarded the Commemorative Medal of Canada for contribution to the Arts in Canada. In 2003, Cardinal-Schubert was granted an Honorary Degree, Doctor of Law, from the University of Calgary.

The six artworks were completed from 1980-1985, and are strong examples of the artist’s work from this period.

Dr. Joane Cardinal-Schubert, This is the Earth, 1985, oil pastel on paper

Helen Mackie

Also discovered were five works by Helen Mackie, who who was active in Alberta’s visual arts community for several decades.

Mackie was a member of the Calgary Allied Arts Foundation, the Secretary and Treasurer of the Alberta Society of Artists, and the Alberta Printmaker’s Society. Her work resides in local, national, and international collections, including the Glenbow Museum and Nickle Galleries in Calgary, MacEwan University in Edmonton, the Canada Council Art Bank in Ottawa, and the Windsor Castle Library in England.

Mackie’s artworks continue to be popular in the AFA's Art Placement and TREX programs. Cows Near Night was included in the 2016 TREX Region 2 (programmed by the Art Gallery of Alberta) exhibition entitled Cattle Call. The below etching and woodblock print on paper is a strong example of Mackie’s work that highlights Alberta’s prairie landscapes and cattle culture.

Helen Mackie, Cows Near Night, n.d., etching and woodblock on paper

The AFA Art Collection continues to grow through acquisition methods including the Art Acquisition by Application Program, Curatorial Acquisition Program and through generous donations by individuals and organizations.

The Lieutenant Governor of Alberta Arts Awards Foundation is proud to announce that artist Faye HeavyShield (Blood Reserve, Kainaiwa Nation, AB), writer and filmmaker Cheryl Foggo (Calgary, AB), and dance choreographer Vicki Adams Willis (Calgary, AB), have been selected to receive the 2021 Lieutenant Governor of Alberta Distinguished Artist Award.

Arlene Strom, chair of the Lieutenant Governor of Alberta Arts Awards Foundation said, “Albertans can be proud of these three whose contributions have pushed the boundaries of art to reflect Indigenous identity and expression; present a more inclusive and diverse view of Alberta’s history; and define the province as a beacon for jazz dance artists. Each has contributed immeasurably to the development of the province’s artists, arts communities and expanding art disciplines.”

Faye HeavyShield, Visual Arts

Over the past 30 years, Faye HeavyShield is one of Canada’s pre-eminent artists within Alberta and the Blackfoot Confederacy. Currently living on the Blood Reserve in southwestern Alberta, Faye studied at Alberta University for the Arts in Calgary. 

Honouring her Kainaiwa (Blood) Nation, the striking landscape they dwell within and the Blackfoot language which she speaks, Faye HeavyShield’s legacy of three-dimensional art and sculpture, including recent installations incorporating photography and delicately constructed paper figures, make her a senior figure in the artistic and cultural renaissance of Indigenous nations in the country. 

Cheryl Foggo, Playwright, screenwriter, film maker, author

Creating a more inclusive and diverse view of Alberta’s history through her plays, films, books, articles and multi-media presentations has been Cheryl Foggo’s life work. Profiled in Who’s Who in Black Canada and the recipient of the 2008 national Harry Jerome Award for The Arts, Foggo has applied her talent as a researcher and writer to uncovering the compelling but overlooked stories of Alberta’s Black settlers and cowboys. Most recently, the award winning National Film Board feature-length documentary, John Ware Reclaimed (2020), highlighted an earlier thriving Black community in the province often left out of the history books.

Her seminal, autobiographical book, Pourin’ Down Rain: A Black Woman Claims Her Place In The Canadian West was reprinted in 2020 to commemorate its 30th anniversary. In addition to her books, Cheryl Foggo has published prose in more than 40 journals and anthologies. Two new productions of Foggo‘s plays are scheduled in 2021 with the Citadel Theatre in Edmonton and the Urgency Collective in Calgary, and her short play The Sender is currently available through Toronto’s Obsidian Company’s 21 Black Futures Project. As a cultural activist, mentor and volunteer she advocates for writers and Black artists.

Vicki Adams Willis, Performing Arts: Dance  

Vicki Adams Willis has changed the face of jazz dance in Alberta and Canada. A co-founder nearly 40 years ago of Decidedly Jazz Danceworks (DJD), she is foremost a teacher and choreographer of more than 35 original productions. Jazz dance is a misunderstood art form. Born of African parents and of the Black American experience, Vicki Adams Willis acknowledges herself as a guest in this form and has demonstrated her deep understanding of, and utter respect for, the authentic roots and history of jazz through her research, teaching and choreography. She is recognized as a true leader in the world of jazz; an acclaimed ground-breaking choreographer who created one of the most unique jazz dance companies in the world, and the key person to ensure Calgary, Alberta as a viable dance centre for serious jazz artists. 

“These three ground-breaking women have offered important contributions to the arts in Canada. Their creativity has brought new light to their respective disciplines and created countless opportunities for us all to learn, grow and explore fresh ideas. Artists like this are essential to the vibrancy of our communities and we are truly fortunate to have them as cultural leaders in our province and country as a whole.” Her Honour, the Honourable Salma Lakhani, Lieutenant Governor of Alberta 

Ceremony

The awards patron, the Honourable Salma Lakhani Lieutenant Governor of Alberta, will present the awards at a celebration hosted by the Community of Lac La Biche and Portage College, Lac La Biche campus, at an awards event June 10 and 11, 2022. This celebration in 2022 will also include recognition of the 2022 Emerging Artists.

The 2021 Distinguished Artists were chosen from nominations received and reviewed by a jury of experts overseen by the Banff Centre for Arts and Creativity. Jurors for the 2021 Distinguished Artist Awards were Mary-Beth Laviolette, visual arts curator and author; John Estacio, 2017 Distinguished Artist and JUNO nominated composer;  Seika Boye, scholar, writer, artist and Assistant Professor, University of Toronto, Centre for Drama, Theatre & Performance Studies; Jordan Abel, Nisga’a writer from Vancouver and Assistant Professor in the Department of English and Film Studies at the University of Alberta teaching Indigenous Literatures and Creative Writing.

To celebrate 25 years of the AFA, we’re taking a look back at how we came to be, favourite milestones, and some of the amazing artists we’ve encountered along the way. 

By Sarah Pocklington, former Arts Development Consultant and AFL Co-ordinator

It seemed impossible to Alysha that she might be a gifted artist. Perhaps it’s not something she had dared to dream of or even considered before the Alberta’s Future Leaders (AFL) Program was invited to her community in 2014. But with the help of her AFL mentors, things changed.

The Alberta’s Future Leaders Program is a dynamic partnership between the Alberta Foundation for the Arts and Alberta Sport Connection. Each year, two mentors — one with a background in the arts and the other with a background in sports and recreation — live in a First Nations or Metis community in Alberta from May through August to create and deliver youth-focused arts, sports, recreation, and leadership programming for community members between 9-25 years old.

Developed in partnership with First Nations and Metis communities, the AFL program inspires and encourages youth to realize their potential through Mentor role modelling; programs, camps and trips; multi-disciplined arts workshops lead by practicing Indigenous artists; a leadership retreat near Jasper and Leadership through the Arts in Edmonton. To date, the AFL program has partnered with over 42 First Nations and Metis communities to offer more than one million participant hours of programming since 1996.

Photos of past participants via the AFL Website

AFL Mentors, Braydon Dowler-Coltman and Kayla Hannan, were placed in Beaver First Nation for the summer of 2014.  After a warm welcome from community members, Braydon and Kayla were soon able to meet and engage with community youth. Creating art projects became one of the regular summer activities, and the AFL program even contracted renowned spray paint muralist Jesse Gouchey to offer a community workshop.

Alysha, a young girl from Beaver First Nations community, was shy and very nervous about trying to create art.

“I had a great childhood and was a good kid growing up, but as I got older I started hanging out with the wrong crowd,” says Alysha. “My ‘friends’ would only ask me to hangout when they were drinking and doing drugs. My attitude and grades in school both went downhill. I was never home and it made my family sick to their stomachs not knowing where I was. The drinking very quickly led me to a severe depression.

“Thankfully, one summer I had the privilege to meet, Braydon and Kayla, the Alberta Future Leaders Youth Mentors. They both helped me through a lot. This is where my artwork all began.”

Alysha working on a piece of art, photo via Braydon

With the encouragement, support and advice of Braydon and Kayla, she was inspired to give painting a try. Alysha had never painted before but she quickly discovered that not only did she love painting, but she was really good at it! Thrilled and genuinely surprised, Alysha continued to create several projects throughout the summer.

“I started creating my very first piece of artwork and it was like everything slowed down in life. Art is my very own personal get away from all reality. It gives me time to think, and process all that is going on in my life. This helps me make decisions to better myself. I eventually got my grades back up in school and pushed through the hard times, and successfully graduated high school on time.”

Alysha graduated from high school in June of 2015, and brought her AFL mentors Kayla and Braydon as her graduation dates.

In August, Alysha attended Leadership through the Arts where she helped curate the AFL Evening of the Arts at the Jubilee Auditorium in Edmonton. Three of Alysha’s pieces were in the show, and by the end of the night, someone had purchased all three pieces.

Another of Alysha's pieces, via Braydon

“To this day I continue on my art journey and I've only gotten better. The Alberta Future Leaders program had a huge positive impact on my life. I could not be any more grateful for the opportunity to be involved with the Alberta Future Leaders. I would like to thank Braydon and Kayla especially for always being there for me. To this day they both still check on me to see if all is well, and I will forever cherish the relationship I had built with the both of them. They are my family.”

2016 celebrates Alberta Foundation for the Arts’ 18th year of partnering with Alberta Sport Connection on the Alberta’s Future Leaders Program.

Indigenous relation to the land in amiskwaciwâskahikan (Edmonton) is the subject of a new artwork, Sipikiskisiw (Remembers Far Back) by Michelle Sound, which was coordinated by the Edmonton Arts Council and is currently being installed this week at the Edmonton Transit Service (ETS) shelter located at 10020-100 Street NW.

The transit shelter was recently renewed as the City of Edmonton works toward creating more safe, inclusive, and attractive public spaces for transit riders and the public.

Commissioned in 2022 under the City of Edmonton’s new Public Art Policy, the Edmonton Arts Council worked with three local Indigenous artists/curators to select an artist for this project. Edmonton Arts Council's Public Art Director David Turnbull said, “the new policy allows us to be flexible, responsive, and use curatorially-driven approaches to intentionally grow and develop a public art collection that is high quality, accessible, relevant, and representative of Edmonton’s diverse communities.” 

“We are pleased to partner with Edmonton Arts Council and artist Michelle Sound to display this Indigenous art – which tells a meaningful story of those who were here before Edmonton was a city – in our transit space,” said Carrie Hotton-MacDonald, Branch Manager of Edmonton Transit Service. “Supporting talented artists and displaying their beautiful works of art helps to create more vibrant transit spaces for everyone to enjoy, and this work adds to the inventory of public art and murals in transit spaces.”

Like Sound’s artwork often does, Sipikiskisiw (Remembers Far Back) explores her Cree and Métis identity from a personal experience rooted in family, place and history.

Her artwork for the ETS shelter uses torn copies of archival images of an Indian Affairs Papaschase reserve survey map from 1899 and a photograph taken prior to 1907 of Indigenous men and tipis on the grounds of Fort Edmonton. The artist then mended the torn imagery using embroidery thread, caribou tufting, porcupine quills and beadwork.

The rips in the images are meant to “show the colonial violence that Indigenous people have experienced, including residential schools, intergenerational trauma, loss of language, and displacement from our territories,” explains the artist.

The mending of the images doesn’t fully obscure the rips, shares Sound, just as “the loss, grief, longing, and memory cannot be fully mended and the resiliency required to survive colonialism is also messy and fragile. These losses can never be fully healed but we can process our histories and realities through art, culture and stories.”

In an article about the artwork, Emily Riddle – one of the curators of the project – writes that the land on which the ETS shelter now sits was an important outlook for Indigenous Peoples prior to the construction of downtown Edmonton. Said Riddle, “When the jury met, Michelle Sound was at the top of each of our lists of artists whose work we wanted to see in Edmonton...in stitching together these two archival records with threads, beads, rick rack and tufts, Michelle Sound asks us to imagine a restitched present while we are in transit. On the hill above the site of both these photos, we are very much embedded in this history and in the forever now of a Nehiyaw present.”
 

Introducing Alberta’s Arts Ambassador 2023

April 12, 2023 Media inquiries

Métis Cree artist Sharon Rose Kootenay has been selected as the fourth Artist in Residence and Arts Ambassador to promote the value of the arts in Alberta.

Hailing from central Alberta, the Treaty 6 artist is a lifelong maker of traditional art forms and finds her inspiration in the Prairie landscapes. Using geometric and floral beadwork design, Kootenay’s art tells a story of cultural identity and place, and affirms Indigenous world views, environmental stewardship and solidarity among humans.

Through her residency, Kootenay will create a two-part beadwork and mixed medium project titled Kihohkewin/Gone Visiting and Pihtikwe/Come In! The first part will interpret the highlights of travel, visiting with friends and family, picking up the threads of conversation and exploring traditions and landscapes along the way. The second part will encompass the Métis Cree concept of “Home Fire.”

“The arts enrich our lives and our vibrant culture and economy. I am pleased to announce Sharon Rose Kootenay as Alberta’s Artist in Residence. Sharon will enrich Alberta’s art scene through her talent and wisdom, as well as bring joy and inspiration to other artists and patrons of the arts. I also want to extend a sincere thank you and appreciation to Aeris Osborne, 2022 Artist in Residence and Ambassador. During her residency, Aeris created 10 bold impressionist paintings of historical buildings in cities and villages from across Alberta.”

Jason Luan, Minister of Culture

“As an artist of Métis Cree and Ukrainian ancestry, I am honoured and humbled to have been selected as the 2023 Alberta Artist in Residence and Arts Ambassador. Our lives are enriched by creative practice, and craft is a medium that articulates memories, celebrates relationships, and contains stories, hopes and wishes. I look forward to meeting many Albertans and gaining a deeper appreciation and understanding of the diversity of our shared artistic practices and expression of cultural perspectives.”

Sharon Rose Kootenay, Alberta’s Artist in Residence/Arts Ambassador

Alberta is the only jurisdiction in Canada to offer a provincial artist in residence program. This program seeks to inspire innovation in and increase appreciation of the arts and artists in Alberta. The residency comes with a $25,000 grant for artist compensation and up to $25,000 for artist expenses. Kootenay’s term began April 1 and runs to March 31, 2024. She was selected from a short list of seven applicants.

The short-listed artists received $1,000 grants to begin their projects and/or advance their artistic practices and careers. Short-listed artists for this intake are:

• Lisa La Touche, dance, Calgary
• Janita Frantsi, dance, Edmonton
• Tia A Kushniruk, dance and theatre, Edmonton
• Shumaila Hemani, music (soundscape composition), Calgary
• Kelsey Merkeley, visual arts (fine craft), Calgary
• Tara Vahab, visual arts (sculpture), Calgary

Host the Artist in Residence

As an arts ambassador and a voice for artists across the province, Kootenay will connect with Alberta communities through her project and program activities. Communities can invite the Artist in Residence to speak about the arts in Alberta at local or cultural events. An online application is available on the Artist in Residence web page.  

Quick facts

• The maximum grant for the artist in residence program is $50,000, one of the largest individual artist grants available in Alberta.
• According to analysis by Hill Strategies of the 2021 census, there were 18,100 artists living in Alberta (nine per cent of all artists in the country).
• In 2020, the visual and applied arts and live performance industries contributed about $1.1 billion in gross domestic product and sustained nearly 15,000 jobs in Alberta.

Related information

• Alberta’s Artist in Residence
• Sharon Rose Kootenay
• Host Alberta's Artist in Residence

Media inquiries

Jason Kwong

587-785-9676
Acting Press Secretary, Ministry of Culture

On September 29, 2022, we marked the 50th Anniversary of the AFA Art Collection. As part of the celebrations, we are sharing snippets from the history of the collection. 
Learn more about the celebrations! 

By Gail Lint, Arts Collections Consultant

In 2008 and 2009, the AFA supported a special curatorial initiative focused on building the holdings of the AFA Art Collection with contemporary Indigenous art. The initiative addressed the work of senior artists not properly represented in the collection, as well as a new generation of artists who are now making an impact.

For this initiative, artworks were acquired through a variety of sources. Curatorial assessment and recommendations by Indigenous artist Dr. Joane Cardinal-Schubert were an invaluable part of the process. Through Joane’s insight, wisdom and guidance, the artworks acquired have significantly enhanced the AFA's holdings.

Creating new relationships with Indigenous artists

Joane provided an avenue to acquire artworks by Indigenous artists unknown to the AFA Art Collection prior to 2008.

2008.085.001 Aaron Paquette, Aniti Anemos 2007, acrylic & gold leaf on canvas, AFA Art Collection

Through her mentoring and respected reputation in the art community she approached both established and emerging artists, conducting interviews and studio visits. She presented recommendations for curatorial acquisition into the AFA Art Collection.

Through the efforts of Joane, balanced by additional curatorial recommendations from the Collection’s Acquisition Working Group, the Indigenous curatorial initiative increased the AFA holdings by an incredible 73 artworks over a two-year period. 

2009.021.002 David Garneau, At the Fiddle Camp 2009, acrylic on canvas, AFA Art Collection

Narrative Quest exhibition

In celebration of Alberta Culture Days in September 2009, the AFA created an exhibtion of artworks by Indigenous artists entitled Narrative Quest. It was displayed in the gallery at the Capital Arts Building in Edmonton.

Curated by AFA Art Collections Consultant Gail Lint, Narrative Quest featured a selection of 60 artworks by 22 Indigenous artists from the AFA Art Collection, and included several of the artworks acquired through the Indigenous curatorial initiative.

2008.086.004 George Littlechild, Cross Cultural Examination #2 2007, ink jet print on paper,  AFA Art Collection

The exhibition combined a variety of traditional and contemporary styles in diverse media. The prevalent themes in these artworks are often based on storytelling.

These are stories that have been shared by the elders, stories of a search for understanding and meaning, stories of identity and belonging, and stories retold to preserve a threatened culture. They are stories immersed in the past, reflective of the present and hopeful for the future

The passing of Dr. Joane Cardinal-Schubert

On September 16, 2009 while installing the Narrative Quest exhibition in the Arts Branch gallery for the Alberta Culture Days celebration, word reached the staff that Joane Cardinal-Schubert had passed away.

2008.106.004 Joane Cardinal-Schubert, Flutterby (Birchbark Letter) 1998, mixed media on canvas, AFA Art Collection

Until that day, there had been no indication from Joane that she was ailing. She was determined to complete her curatorial contract and source artworks for the AFA Art Collection and, through her valiant commitment, she introduced new artists and assisted in building the representation of senior Indigenous artists.

The next day, during the official opening of the Narrative Quest exhibition, which was accompanied by a traditional smudge led by an Indigenous elder, there was a large raven sitting on top of the Capital Arts building above the location of the gallery. It was believed that Joane attended the ceremony in spirit.

The Narrative Quest exhibition was dedicated to the memory of Joane Cardinal-Schubert (1942 – 2009).

 “Let the next 
Generation 
be born 
with the knowledge 
of what has passed.”

(excerpt from the poem Keeper by Joane Cardinal-Schubert)

Narrative Quest on tour

Narrative Quest Exhibition (installation view) Capital Arts Gallery, Edmonton (Sept. 2009)

After the Culture Days exhibition at Capital Arts Building in 2009, Narrative Quest toured to:

• the Royal Alberta Museum in Edmonton
• the Red Deer Museum and Art Gallery (edited selection)
• the Museum of Contemporary Art in Calgary (edited selection)
• the Art Gallery of Grande Prairie

An edited selection of 32 artworks from the Narrative Quest exhibition then travelled to the Embassy of Canada, Prince Takamado Gallery in Tokyo, Japan (November 25, 2014 to February 27, 2015). It was met with critical acclaim.

Joane's ongoing legacy

In 2016, the National Gallery of Canada hosted a major retrospective exhibition featuring Alberta’s celebrated Indigenous artist from Cold Lake: Alex Janvier: Modern Indigenous Master (November 25, 2016 to April 17, 2017). 

Nine AFA artworks by Alex Janvier were included in the exhibition. Almost half of these artworks were acquired through recommendations by Dr. Joane Cardinal-Schubert.

2009.001.004 Alex Janvier, Untitled 2009, acrylic on canvas, AFA Art Collection

In 2017 the Nickle Galleries at the University of Calgary hosted a major retrospective of Dr. Joane Cardinal-Schubert: The Writing on the Wall. It was the first retrospective since her passing in 2009.

19 artworks from the AFA's holdings and an additional two artworks from the Government House collection were loaned for inclusion in the exhibition. An edited selection of these artworks toured to four other galleries across Canada until 2020.

1989.025.001 Joane Cardinal-Schubert, Moonlight Sonota: In the Beginning 1989, oil on canvas, AFA Art Collection

In part two of our look back at the tremendous impact Joane has had on the AFA Art Collection, we will take a look at the AFA's Fellowship for Indigenous Curators and the next generation of acquisitions by Indigenous artists. 

^{Image credit: Dr. Joane Cardinal-Schubert. Photo by JustinJHCSchubert (own work) [CC BY-SA 4.0 (Open license)], via Wikimedia Commons.
Image cropped and combined with photo of Becca Taylor for this web page, and the AFA's 50th Anniversary branding has been added.
Photo of Becca Taylor is by Katy Whitt Photography}

On September 29, 2022, we marked the 50th Anniversary of the AFA Art Collection. As part of the celebrations, we are sharing snippets from the history of the collection.

Learn more about the celebrations!

In part two of our look back at the impact Dr. Joane Cardinal-Schubert has had on the AFA Art Collection, we look at the Fellowship for Indigenous Curators and the next generation of acquisitions by Indigenous artists. Read part one. 

AFA creates the Dr. Joane Cardinal-Schubert Fellowship for Indigenous Curators

In 2018, the AFA announced a one-time fellowship designed to support the growth and development of curatorial talent and enhance representation of Indigenous artists in the AFA Art Collection. 

The project’s intention was to bring a new perspective to art acquisition at the AFA and build on previous work undertaken by the late Dr. Joane Cardinal-Schubert, who provided curatorial consultation to the AFA in 2008 and 2009. The fellowship was named in her honour. 

After a competitive application process, the AFA was pleased to announce that Becca Taylor was awarded Dr. Joane Cardinal-Schubert Fellowship for Indigenous Curators.

About Becca

Becca Taylor is a curator and multi-disciplinary artist with Cree, Scottish and Irish descent. According to her application, her curatorial practice involves investigations of Indigenous community building, Indigenous feminisms, methodologies of gathering and ephemera of living actions.

She was awarded the Aboriginal curator-in-residence, from the Canada Council in 2015, a 12-month residency at Urban Shaman gallery in Winnipeg where she curated Traces (2016.) In 2016-17 she was the Indigenous Curatorial Research Practicum at the Banff Centre, curating A light left on (2016.)

Notably, Becca co-curated the 4th iteration of La Biennale d’art contemporain autochtone (BACA) with Niki Little, entitled níchiwamiskwém | nimidet | my sister | ma sœur (2018), co-led land-based residency, Common Opulence (2018), in Northern Alberta and curated Mothering Spaces (2019) at the Mitchell Art Gallery.

Becca is the Executive Director of Ociciwan Contemporary Art Collective in Edmonton.

The project

Becca’s final report, Kahkekwask / From Here to There was completed in June 2019. It provided the AFA with a variety of recommendations to broaden the AFA Art Collection to represent more Indigenous artists and artworks through all acquisition programs, as well as to offer greater support for Indigenous artists, including through building relationships and trust with Indigenous communities. 

Since the report was completed, the AFA has acquired nearly fifty artworks by Indigenous artists through curatorial purchase, donation, and the Art Acquisition by Application program. Some highlighted artists and artworks include...

MJ Belcourt

2022.032.001 MJ Belcourt, First Fruits, n.d., smoked moose hide, glass seed beads, thread, fabric

MJ Belcourt is a certified Native Art Instructor, curator, and Indigenous artist residing in Treaty 6 territory. Her mixed Métis ancestry is Mohawk, Cree, and French with family ties to the Michel Band and the community of Lac St. Anne. Through a desire to build a closer connection and understanding of her Métis bloodline, Belcourt has remained naturally drawn to the traditional Indigenous arts of her ancestors.

She works in a variety of Indigenous art forms including beadwork, porcupine quill, fish scale, moose and caribou hair, and the art of creating natural dyes.

2022.032.002 MJ Belcourt, Pass System, n.d., smoked moose hide, glass seed beads, tin cones, thread

In 2022-23, the AFA acquired two artworks from MJ Belcourt: First Fruits and Pass System. Both are native tanned smoked moose hide pouches embellished with beading and other traditional decorative elements.

Lauren Crazybull

2019.035.002 Lauren Crazybull, Self Portrait, 2018, acrylic on board

Lauren Crazybull is a Niitsítapi (Member of Kainai First Nation), Dené artist. Lauren won the 2020 Eldon & Anne Foote prize, 2020 Lieutenant Governors Emerging Artist Award and was shortlisted for the Kingston Portrait Prize in 2019. In 2019, they were selected as the first Alberta Artist in Residence/Arts Ambassador. Lauren currently resides in Vancouver, having recently completed her MFA at Emily Carr University of Art + Design. 

In her work, Lauren considers Indigenous presence and multiplicity through paintings, creating worlds where honest portrayals trespass onto romantic representations of Indigeneity. Working primarily in portraiture, a long-standing genre that is often embedded with an imbalance of power between the artist/viewer and sitter, Lauren seeks to examine the relationship between herself as an artist and the individuals she paints. 

The AFA has acquired two artworks by Lauren Crazybull as of 2023.

Kablusiak

2021.017.001 Kablusiak, Piliutiyara (Saltwater Taffy), 2020, photograph with backlit film in lightbox

Kablusiak is a multidisciplinary Inuvialuk artist and curator who uses Inuk ingenuity to create work in a variety of mediums including, but not limited to, lingerie, white flour, soapstone, permanent marker, bed sheets, felt, acrylic paint, and words. Kablusiak holds a BFA in Drawing from the Alberta University of the Arts in Mohkinstsis, where they are currently based.

Their work explores the dis/connections between existence in the Inuitdiaspora while maintaining family and community ties, the impacts of colonization on Inuit gender and sexuality expressions, as well as on health and wellbeing, and the everyday.

2021.017.001 Kablusiak, Piliutiyara (Saltwater Taffy), 2020, photograph with backlit film in lightbox (alternate view)

In 2021, Kablusiak was part of a team of four Inuit curators who curated the inaugural exhibition for Qaumajuq, entitled INUA. In all of their creative work Kablusiak seeks to demystify Inuit art and create the space for Inuit-led representation of the diverse aspects of Inuit cultures.  

The AFA Art Collection holds 26 artworks by Kablusiak in 2023.

Dwayne Martineau

2021.013.001 Dwayne Martineau, Strange Jury #2, 2021, photograph on backlit film

Dwayne Martineau is an Edmonton based visual artist and musician. He is a treaty member of Frog Lake First Nation, descended from Plains Cree, Métis, and early French and Scottish settlers.

He enjoys seeing the world like a child full of discovery. Also, he approaches the world with a critical mind, seeking both truth and wonder. His visual arts practice began with experimental landscape photography, and has evolved to include videography and immersive large-scale art installations.

The AFA acquired Strange Jury #2 as part of the 2021 cycle of the Art Acquisition by Application program. This artwork is one of five artworks included in the Strange Jury Series. When installed in a gallery, five giant prints are hung in a circle off the ground to depict five characters of the forest with animistic faces.

Jessie Ray Short

2019.039.001 Jessie Ray Short, WAKE UP!, 2019, experimental film, 5:57 mins

Jessie Ray Short is an artist, filmmaker and independent curator of Métis, Ukranian and German descent whose cross-disciplinary practice involves memory, visual culture and Métis history.

She has shown her work nationally and internationally, including at the Banff Centre for the Arts, Agnes Etherington Art Centre in Kingston, at La Chambre Blanche in Québec City, Art Mûr Berlin (a satellite exhibition of the Contemporary Native Art Biennial/BACA) in Germany, and at the Wairoa Maori Film Festival in New Zealand.

As a curator, she has had the opportunity to work on various projects most notably Jade Carpenter: Mourn at City of Calgary Open Spaces Gallery and Mixed Berries: Amanda Strong and Bracken Hanuse Corlett at Gallery 2, Grand Forks, BC. She has worked for the Ociciwan Contemporary Art Collective, based in Edmonton, and for TRUCK Contemporary Art in Calgary.

WAKE UP! is an example of media artwork included in the AFA Art Collection. In the film, a Métis woman explores identity by transforming herself into one of the only widely known Métis icons, a man named Louis Riel, who lived over 100 years ago.

Read Becca Taylor's 2018 curatorial statement for the fellowship:

Alberta has an expansive and diverse Indigenous community living in and outside of it.  The changing landscapes within Alberta have different pieces of knowledge and teachings reflecting across the terrains; with different Indigenous groups living either in rural or urban settings, or both, whose lived experiences are reflected within their work. Some artists have formal institutional education, some with education from the land and our ancestors; but we all have an inherent perspective and embodied knowledge of what it means to be an Indigenous person living in Alberta.

For the next 6-months, my curatorial research will be based on my teachings of the medicine wheel. Looking at artists from the different quadrants of Alberta, as well as, a range of professional experience within each quadrant, from emerging to established artists; learning from and listening to the different perspectives and insights from different regions, nations, ages and experiences.

I view this research project to be as informed and diverse as possible to reflect the extraordinary past, present and future of Indigenous contemporary art in Alberta. Through conversation and travel, I anticipate meeting many more artists whom I do not know at this moment. Using my resources and community in Alberta to expand my knowledge of artists working here and those who have lived here and made an impact while doing so.

Continuing legacy

Through the foundational work provided by Dr. Joane Cardinal-Schubert, built upon by Becca Taylor, and through continuing engagement with Indigenous artists, Elders and communities of practice, the AFA is pleased to continue to increase representation of Indigenous art in the AFA Art Collection.

See our current holdings of Indigenous artworks through the AFA Virtual Museum.