Music

Update to AFA Music grants

We have an important update for artists interested in applying for Music Individual Project Funding by March 1. AFA music grant applicants must now upload music samples directly into their GATE Front Office online application.

What does this mean for you?

Music applicants must now upload two audio samples as attachments to their application. This includes those artists applying for career development, training, or marketing projects.

Samples should reflect your artistic practice, and may include:

  • scratch demos
  • high-quality demos
  • past commercial recording
  • recordings of previous compositions or scores
  • or two other representative works

Only arts administrators that are applying for training or career development projects are exempt.

  • these applicants can upload a blank document as attachments to complete their applications

Format and resources

File size is limited and artists must prepare their samples accordingly. Each audio file must be:

  • under 5 minutes
  • in MP3 or AAC format
  • no larger than 8MB

We encourage artists to edit their files into the required format and length before submitting their applications. Free online resources include:

New requirements for music commissions

Music applicants for Commission projects must attached a signed contract by commissioners.

We strongly encourage applicants to use the Model Composer Commissioning Contract, available through the Canadian League of Composers.

More information

You can find more information about how to attach audio files to your application in Music grant guidelines under How to apply.

Next deadline

March 1, 2023. The AFA must receive your application by 11:59 p.m. MST on the deadline.

Current applicants and recipients

If you have already submitted an application for March 1, your Arts Development Consultant will update your application on your behalf.

If you are a current recipient of an AFA Music grant and still need to submit your report, you can also upload audio files directly to GATE Front Office. Please visit the Music grant guidelines under Reporting for requirements.

Questions?

Contact Jason Flammia, Arts Development Consultant – Music.

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AFA music grant applicants must now upload music samples directly into their GATE Front Office online applications.

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Update to AFA Music grants
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AFA music grant applicants must now upload music samples directly into their GATE Front Office online applications.

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Eternal Light

Sunday, November 10, 3 pm
First Presbyterian Church, Edmonton (10025 105 St NW) 

Our 63rd season opens with one of the most beloved masterworks in the choral canon, Fauré’s Requiem, alongside Howard Goodall’s deeply moving Eternal Light: A Requiem. Immerse yourself in lushness of Fauré and the beauty of Goodalls exquisite melodies with Da Camera Singers and guests Jolaine Kerley (soprano), Roderick Bryce (baritone), Marnie Giesbrecht (organ), and Jacquie McNulty (harp) as we honour Remembrance Day and offer solace to those who grieve.

Tickets: www.showpass.com/eternal-light

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Da Camera Singers first concert of the 63rd season

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Survey Results | The New Experience Economy - Wave 2

The Alberta Foundation for the Arts is pleased to be a funding partner in this collaboration with Stone-Olafson and other community leaders to develop a long-term research investigation and evaluate how current conditions will reshape Albertans’ attitudes and behaviours towards social and group activities, across a variety of sectors. The purpose of this work is to give leaders of community sports, recreation, arts and culture, professional sports, active living, heritage, tourism or hospitality sectors relevant facts about local audiences that they will need to bring life back to our communities.

The initiative is being funded by: 

This research is being conducted in six waves over the course of the next year. This is a community resource that is FREE to access and results from the second wave of research are now available. The second wave of research builds on the baseline established in May and June by delving into attitudes on comfort, spending, the impact of media, and audience expectations.

Findings and implications for Alberta organizations through Wave 2 results include:

  • Support for the pace of re-opening grows but there are still lingering pockets of disagreement.
  • Comfort levels are creating a new baseline of engagement.
  • Increasing gaps are appearing between audience segments on the pandemic.
  • As restrictions lift, Albertans are pulled by their social motivations and perceptions of safety outdoors.
  • Engagement is (potentially) perishable.
  • Staying connected will mean the development of innovative and hybrid experiences.
  • In a crowded media space, audiences are still listening.
  • Spending is obviously being impacted

The report makes the following recommendations for organizations:

  • Comfort levels are not rebounding just because restrictions are lifting. Organizations need to temper expectations about reconnecting with audiences. You will not be reengaging them in the same you used to. It will take time and it will look different. Plan on it and prepare.
  • Getting audiences comfortable enough to attend is vital. Some of this will rebound over time, and some will be addressed by government, but there are opportunities to build confidence in what you are doing to safeguard their health. Show the steps you are taking and the tools being employed to protect audiences. Building confidence with what you are doing will help increase comfort and, in turn, consideration.
  • Audiences and markets are changing. There are new barriers to address and consider. Organizations will need to understand shifting mindsets of different target audiences in order to engage effectively. This could be a deep opportunity to engage for many organizations who can capitalize on their motivations and expectations.
  • Find your voice. Audiences are listening closely for news around the pandemic and are eager for updates, information or promotions. They want to know when experiences will be available again and are receptive to traditional marketing messages again. In fact, they expect it.
  • Adapting means developing new product and experiences to consume. Staying put or offering what you used to won’t necessarily work. Organizations that can move into hybrid offers (not simply digital alone or in-person alone) that still leverage intrinsic motivations will be well positioned to protect their revenue from competition.

Download the reports:

You can subscribe to receive notifications when the new reports are available by visiting stone-olafson.com

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Second wave of results of a long-term study to gauge Alberta audiences' attitudes towards returning to live arts and culture venues and events.

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Survey Results | The New Experience Economy - Wave 4

This research is being conducted in six waves over the course of the next year. This is a community resource that is FREE to access and results from the fourth wave of research are now available. 

Findings for Alberta organizations from Wave 4 results include:

  • Public perceptions reflect the low point of the pandemic at this time.
  • Albertans are adapting to and following the rules.
  • Change in habits during the pandemic appears to be additive, not alternative
  • Contexts frame marketing in this environment - messages will need to be shifted, media strategies evaluated, and some types of voices changed.
  • Engagement is on hold.
  • Travel within the province is an option. 

What are the implications for Alberta organizations?

  • When conditions permit, recognize you will be reconnecting with a weary population who are more anxious than before. Messages and offers will need to adjust to reflect this reality.
  • As Albertans accept and get used to the restrictions, they expect others to follow them too. A large percentage of those surveyed indicate others not following protocols will dissuade them from attending events/participating in activities. The same applies for not seeing sufficient safeguards in place.
  • As restrictions start to lift, Albertans are likely to start figuring out how to balance a new set of activities they enjoy with their usual activities they want to get back to. And for organizations, that means breaking through a larger competitive set to capture the attention of their audiences. For those that offer registered or directed experiences this may be an even bigger challenge now that people are also adding in more self-directed experiences.
  • Organizations are likely going to need a multi-layered media strategy that can reach influencers who can help propel the message. To be clear, an influencer strategy doesn’t mean a pure social media strategy. It means a strategy of messages and media that are repeatable to others.
  • Organizations have to be prepared to re-engage in stages. When current restrictions lift there will be some appetite to explore and potential opportunities to meet them online or outdoors. In a post-pandemic environment, audiences are very likely to get active again.
  • Focusing on broad messages that reflect a drive to escape everyday stresses and deliver on social motivations will work well to help motivate intra-provincial travel. Reinforcing these main messages with reassurances about flexibility in booking and safety will also be helpful to finalize a decision.

Download the reports:

You can subscribe to receive notifications when the new reports are available by visiting stone-olafson.com

About the project

The Alberta Foundation for the Arts is pleased to be a funding partner in this collaboration with Stone-Olafson and other community leaders to develop a long-term research investigation and evaluate how current conditions will reshape Albertans’ attitudes and behaviours towards social and group activities, across a variety of sectors. The purpose of this work is to give leaders of community sports, recreation, arts and culture, professional sports, active living, heritage, tourism or hospitality sectors relevant facts about local audiences that they will need to bring life back to our communities.

The initiative is being funded by: 

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SYNC Sound and Image Conference November 8-10 in Calgary

SYNC Sound and Image Conference: Elevate Your Creative Journey

Join us from November 8 - 10  at the National Music Centre for the SYNC Sound and Image Conference, a premier event for electronic music and visual arts enthusiasts.

This three-day conference offers a unique blend of workshops, live performances, and networking opportunities designed to inspire and connect artists and creators.

Event Schedule:

Friday, November 8

Festival Hall:

Artist Mixer:

  • 5 pm – 7 pm

Sound Performances:

  • 8 pm – Lokey
  • 9 pm – Idlefon
  • 10 pm – Sean Beaver
  • 11 pm – Quantum Monastery
  • 12 am – Daedelus

Image Presentations:

  • 7 pm – Film Screening
  • 8 pm – Evvie Lightpirate
  • 10 pm – VJ Nicetrip

Flow Performance:

  • 11 pm – 1 am – aGoGo (Soliel & ShanShan)

Saturday, November 9th (Daytime)

National Music Centre (King Eddy Side):

Sound Workshops:

  • 12 pm – Robert Alexander: End of Chain for Live Application
  • 1 pm – Ebb and Flow: Organic Techno with Yoyu
  • 2 pm – ZOV Presents Modular Systems, Gear Technique, Workflow & Creating/Managing a Live Act
  • 3 pm – Daedelus: Organizing the Artist – From Studio to Stage
  • 4 pm – Playing Live Panel with Daedelus, Yoyu, ZOV, & Lokey
  • 5 pm – Saytek Live: Marketing Your Live Act

Image Workshops:

  • 12 pm – MapperzYYC: Projection of the People
  • 1 pm – Lightpirates: Visuals – From Lofi to AI
  • 2 pm – Dylon Klemen-Hurell: Creating Visual Music
  • 3 pm – Sandi Somers: Movies That Predicted the Future
  • 4 pm– Granular Adventures: Intro to Touch Designer
  • 5 pm – The Indie MBA: SYNC Your Sound and Brand – Electronic Press Kits (EPKs) Made Easy!

Festival Hall:

Flow Workshops:

  • 12 pm – Kylee Conscious Dance
  • 2 pm – Joy of Poi with Robin Fiametta from aGoGo
  • 3:30 pm – Inside Outside Hula Hoop Flow with Kelly Hoolala from aGoGo
  • 4 pm – Nadia Zeal: Stage Design

Saturday, November 9th (Evening)

Festival Hall:

Sound Performances:

  • 8 pm – YoYu
  • 9 pm – Zander & Overland
  • 10 pm– Robert Alexander
  • 11 pm– Saytek Live

Image Presentations:

  • 7 pm– Screening
  • 8 pm– Nova Sarfi
  • 10 pm– Granular Adventures

Flow Performance:

  • 10 pm – aGoGo Performance (Britt Elise & Colleenicorn)

Sunday, November 10th

Festival Hall:

Sound Activities:

  • 12 pm – Synth Petting Zoo
  • 1 pm – 2 pm – Oscill8 Orchestra

National Music Centre:

Grant Application Workshop:

  • 12 pm – 1 pm – SHE-Q

Cold Garden

YYC Jazzfest-SYNC Collaboration:

  • 3 pm – 5pm – YYC Jazzfest at Cold Garden

Secure Your Passes at Showpass: www.showpass.com/sync-sound-and-image-conference-2024

Don't miss this opportunity to immerse yourself in a dynamic fusion of sound and visual arts. Purchase your passes now to gain full access to all workshops, performances, and networking events.

For more details and to buy tickets, visit Oscill8's official website: www.oscill8.ca

Elevate your creative journey at SYNC.

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Edmonton Chamber Music Society presents Schumann Quartett

Join the acclaimed Schumann Quartett, featuring brothers Mark, Erik, and Ken Schumann, alongside violist Veit Hertenstein.

Founded in 2007, this ensemble won first prizes at the International Competition “Schubert und die Musik der Moderne” and the Bordeaux International String Quartet Competition.

Their recent album, Landscapes, garnered the German Record Critics Award. They have been appointed to prestigious residencies at London’s Wigmore Hall and New York’s Chamber Music Society of Lincoln Center.

February 8 
Robertson Wesley United Church 
7:30 pm
Tickets start at $30

edmontonchambermusic.org

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Join the Edmonton Chamber Music Society as they present the Schumann Quartett on Saturday, February 8.

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Fauré's Requiem

Fauré’s Requiem

Friday November 8, 2024 - 7.30pm
Winspear Centre, Edmonton

  • Richard Eaton Singers
  • Edmonton Symphony Orchestra
  • Tim Shantz, conductor
  • Miriam Khalil, soprano
  • Brett Polegato, baritone
  • Madrigal Singers, guest choir
  • UofA Concert Choir, guest choir
  • Chorale Saint-Jean, guest choir

Concert program includes Fauré’s Requiem, in honour of the centenary of his death, a hallmark of choral repertoire. The program includes the premiere of a newly orchestrated rendition of John Estacio’s branche in memory of a beloved choir member, along with Estacio's poignant The Houses Stand Not Far Apart.

The latter program includes the premiere of a newly orchestrated rendition of John Estacio’s branche in memory of a beloved choir member, along with Estacio's poignant The Houses Stand Not Far Apart.

Tickets priced from $29

winspearcentre.com box office

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Concert program includes Fauré’s Requiem, in honour of the centenary of his death, a hallmark of choral repertoire.

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Sales Manager

The Calgary Philharmonic has been a pillar of Calgary’s vibrant arts scene since 1955 and in that time has grown to be one of Canada’s most celebrated live music ensembles. Led by Music Director Rune Bergmann, the Orchestra presents a wide range of concerts, inspiring education programs, and reaches audiences worldwide through free and accessible digital programming. In addition to 66 full-time orchestra musicians, the Calgary Phil is one of two major symphony orchestras in Canada that has its own chorus of over 120 volunteer singers. In a typical season, the Calgary Phil welcomes over 100,000 visitors, connecting audiences to live music experiences, and serves the city of Calgary by fostering creativity and belonging. Your Phil. Your Music.

The Role

The Sales Manager is a member of the Marketing + Sales Team, that plays a critical role in maximizing ticket revenue through strategic sales initiatives, robust reporting, and insightful data analysis. This position is pivotal in achieving the orchestra's goals and enhancing patron engagement through effective sales strategies.

Responsibilities

Sales Strategy Development

  • In collaboration with Associate Director, Sales, develop and implement comprehensive sales strategies to achieve annual ticket revenue targets.
  • Collaborate with the Marketing team to align sales efforts with promotional campaigns and audience development initiatives.
  • Identify opportunities for revenue growth and implement proactive sales tactics to capitalize on them.
  • Work with the Associate Director to implement key campaigns for annual telemarketing, renewal, and youth membership programs.

Ticket Sales

  • Promptly answer customer inquiries by phone/email and work directly with patrons to facilitate ticket sales and address ticket-related inquiries.
  • Utilize CRM insights to make data-driven decisions and recommendations to the Associate Director of
  • Sales, enhancing revenue generation and audience engagement.
  • Implement CRM tools to segment and target audience groups for personalized marketing campaigns and promotions.
  • Monitor ticket pricing using CRM and partner data (Vatic) and oversee seat management.
  • Collaborate with the Marketing team to integrate CRM data with marketing initiatives, ensuring cohesive and targeted messaging to drive ticket sales.
  • Train and support sales team members in the effective use of CRM tools to enhance productivity and customer service.
  • Complimentary ticket management including requests from Artistic, Development, and Administration teams.

Reporting and Data Analysis

  • Generate regular reports on sales performance, customer attendance patterns, and statistical/demographic analysis as required.

Team Leadership and Collaboration

  • Supervise and manage direct reports, including Box Office part-time staff and the Sales Assistant role.
  • Foster a collaborative environment within the Sales team and across other departments to enhance overall organizational effectiveness.

Desired Qualifications

  • Post-secondary education or equivalent experience
  • Proven experience in sales management, preferably in a performing arts or entertainment environment.
  • Strong analytical skills with the ability to interpret sales performance metrics and make data-driven decisions.
  • Excellent leadership and communication skills, with the ability to inspire and motivate a sales team.
  • Proficiency in CRM software, ticketing systems, and Microsoft Office Suite. Knowledge of Spektrix is an asset. 

Additional Details

  • This position is full-time with an annual salary ranging from $55,000 to $65,000. The successful candidate who meets the required    qualifications can expect to start at the mid-range salary level.
  • This position will require evening and weekend work at a minimum of 10 concerts per season.
  • The Calgary Phil is trialing a hybrid remote work program. Employees who are eligible for this program can work up to three days / week from an appropriate remote location
  • As part of our full compensation package, Calgary Phil offers 3 weeks’ vacation, a comprehensive benefits package that includes RRSP contributions, health coverage, an employee assistance program, bonus days off, and other non-cash benefits.
  • Office location: Arts Commons, Floor 2, 205 8 Avenue SE Calgary AB T2G 0K9

Application Process

Application deadline: 16 August 2024
Applications will be reviewed regularly, and suitable candidates may be contacted before the deadline. No phone calls or emails please.
Please send cover letter and resume to:

Courtney Ilie,
Associate Director, Sales
HR@calgaryphil.com with the subject line "Sales Manager”

The Calgary Phil is committed to fostering an anti-racist, equitable, diverse, and inclusive environment and, as such, encourages qualified candidates from a diverse range of backgrounds.

If you require accommodation for the recruitment/interview process, please let us know so that we can work with you to accommodate your needs.

We thank you for your interest in the Calgary Phil. Please note only shortlisted candidates will be contacted.

Follow the Calgary Philharmonic @calgaryphil on Facebook, Instagram, and LinkedIn and register for email updates at calgaryphil.com/newsletter.

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Calgary Phil is looking for a Sales Manager. This position is pivotal in achieving the orchestra's goals through effective sales strategies.

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Calgary Phil is looking for a Sales Manager. This position is pivotal in achieving the orchestra's goals through effective sales strategies.

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Calgary Phil is looking for a Sales Manager. This position is pivotal in achieving the orchestra's goals through effective sales strategies.

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Edmonton Jazz Alley: The Leesila Dawkins Quintet

August 22, 2024 
7 pm - 9 pm
Edmonton Jazz Alley (9319 - 118 Avenue)
Tickets $10, kids get in free

Come listen and enjoy the show with beer, wine, bratwurst and tasty snacks. Leesila Dawkins' smooth and sultry vocal style exudes elegance and intimacy, embracing listeners in a warm, enveloping soundscape.

Edmonton Jazz Alley - Leesila Dawkins — The Carrot: Edmonton Community Art Gallery and Coffee Shopthecarrot.ca

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Come listen and enjoy the show with beer, wine, bratwurst and tasty snacks.

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Come listen and enjoy the show with beer, wine, bratwurst and tasty snacks.

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Come listen and enjoy the show with beer, wine, bratwurst and tasty snacks.

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Register Now for the SongBurst Adult Summer Choir!

SongBurst Adult Summer Choir is a non-auditioned week-long choir for adults. Choir members learn a variety of music together in a casual and supportive setting. In addition to daily rehearsals, participants have the opportunity to sign up for workshops and one-on-one vocal coaching. At the end of the week, the choir performs a wrap-up concert for family, friends, and fans, in collaboration with the SongBurst KIDS Summer Choir Workshop.

Monday, Aug 12 – Friday, Aug 16, 7 - 9:15 pm
Crestwood Community League (​14325 96 Avenue NW, Edmonton)
Wrap-up concert – Friday, Aug 16, 7:30 - 8:30 pm (participant call time 6 pm)

For more information or to register, visit www.choiralberta.ca/adult-summer-choir.html

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SongBurst Adult Summer Choir is a non-auditioned week-long choir for adults.

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